Italian c1510-1592 Jacopo Bassano Gallery He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.  Related Paintings of Jacopo Bassano :. | The Adoration of the Magi | St Jerome | Adoration of the magi | The Procession to Calvary | The good Samaritan |
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Gerard Hornebout
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Blarenberghe
was the name of a dynasty of painters, originally from French Flanders but the most famous descendants lived in Lille and Paris in France. They were all descendants from Joris van Blarenberghe (1612-1670). The first two painters were Hendrick van Blarenberghe (1646-1712) and his son Jacques-Guillaume van Blarenberghe (1679-1742). Their style was still heavily influenced by the Flemish Baroque style. Jacques-Guillaume had two painting sons, Louis-Nicolas Van Blarenberghe (15 July 1716 - 1 May 1794) and Henri Desire van Blarenberghe (1734-1812). Louis-Nicolas had a son who was also a painter and with who he often collaborated: Henri-Joseph van Blarenberghe (24 November 1750 - 1 December 1826). Together with his father, they stayed at the Palace of Versailles, where they worked as miniaturists for the high society of their day. They were especially famous for their paintings on snuff boxes. Louis-Nicolas also worked as official campaign painter of the French court, following the French army as a war reporter. Two of his daughters, Catherine-Henriette and Isabelle, were chamber maids to the children of the French kings. The works of Louis-Nicolas and Henri-Joseph were collected in profusion in the 19th century by the Rothschild family. There is a collection of their work on public display at Waddesdon Manor. Henri-Joseph painted, besides the miniatures, mainly Panoramic paintings, often in gouache. The subjects were, as with his father, often military, and also included the French revolution.
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